Previously on "La Familia" (
Episode 1,
Epsiode 2):
Close up of Charles looking shocked in a doorway.
Flash to Peter in the living room whispering something in Sam Witt's ear.
Flash to the map on Eduardo's nightstand.
Shift of scene to the vault with the papers flying everywhere.
Cue up the music once again. Yes, the Coldplay is playing, and there are images of St. Louis (yes, St. Louis) flashing in and out of focus. We get head shots of each of our poets: Peter, Charles, C. Dale, Eduardo, and Sam Witt. It is time, once again, for another episode of "La Familia."
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In the Blue Room, Charles admits he found a note in his room telling him to go to an underground "jazz bar." Charles then looks horrified again and reports to us that what he saw was a former teacher from his MFA program doing a pole dance!
In the living room, Sam Witt tells C. Dale that no one has seen Eduardo since last night. C. Dale says: "Gag! That bitch has probably already found the vault!"
Peter is nervously making breakfast when the doorbell rings. A new courier appears to deliver another letter. The letter reads: "Today, one of you will be leaving. Be here in the living room at 5pm."
Charles comes racing out of the Blue Room to hear the other poets discussing the cryptic letter from the Producers. Charles says: "Where is Eduardo? Has anyone seen him since last night?"
Sam Witt says: "Well, since we are on the subject of disappearances, where did you disappear to last night?"
Charles: "I ran out to get a drink."
Sam Witt: "A drink? Of what? Bottled water?"
Charles: "I don't have time for this."
Charles grabs his coat and leaves. As he opens the front door, Eduardo walks in with a cop. Everyone looks concerned but the two quickly retreat to Eduardo's room.
Outside the building, Charles speaks to the camera: "God damn it! They are on to me. They know I have not been downing the vodka like a street whore!" He runs down a side street.
Back in the apartment, C. Dale enters the Blue Room: "Something is going on here! I know these fools are keeping things from me. I mean, what is up with that whole exchange between Sam Witt and Charles?"
Flash to Peter in his room. He looks around cautiously, locks the door, and pulls a laptop out from under his desk. "Well, we have no phone line, but no one said anything about not using a wireless connection!"
Meanwhile, Charles is standing in front of a Townhouse on a tree-lined street taking pictures of it. He turns to the camera. "This is Carl Phillips' house. A friend gave me the address last night in that god awful bar." He makes a squeamish face. "The question is whether or not the studio is there."
Charles looks at his watch. It is 4:30pm. He starts running.
Back at the apartment, Peter and Sam Witt are already in the living room awaiting the elimination. Sam Witt is chattering about the fact they haven't mentioned yet how one gets eliminated. C. Dale walks in and says: "Gag!" The cop finally leaves Eduardo's room and then Eduardo comes out and flings himself on the couch. He says: "All this work to find this studio is exhausting."
It is now 4:55pm and the front door whips open as Charles charges in. All are present. There is a knock at the door. We go to a commercial.
What follows is a montage of commercials for "Road Rules" and the MTV Fashion Awards. Again, we wonder, why does MTV almost exclusively advertise itself?"
The show resumes. Peter answers the door. In walks the same courier that delivered the note earlier that day. He announces: "Each of you will enter the Blue Room and announce which poet you think should be eliminated. After that, the elimination will take place depending on the votes." One by one the poets enter the Blue Room.
Peter: "I think Charles is close and should be eliminated. He is a schemer, that Charles." Charles should go.
Sam Witt: "I already have an idea of how to get the address of Carl Phillips' place. The one I am most worried about right now is Charles. I vote Charles.
Charles: "Eduardo has to go. He has slept with half of St. Louis by now and probably already has the means to get the ms. I vote Eduardo."
C. Dale: "Something is up with Charles. Others seem to know something about what he is up to. Charles. Charles should go."
Eduardo: "Peter is the one we rarely watch, and that makes him dangerous. I vote Peter."
Once all of the poets are in the room, the courier announces the results. "Charles, you received the most votes for elimination, and so, you will not be leaving. We didn't say the one with the most votes would leave. In fact, the one with the most votes selects the one to leave. Charles, here are plates with the faces of your fellow four poets. Select the plate of the poet you want to send home and throw it into the fireplace."
Charles picks up the plates and looks at each one. He then takes one and hurls it into the fireplace. The plate breaks into many pieces. The courier takes the remaining plates. "Sam Witt, you are safe. C. Dale, you are safe."
Eduardo and Peter look nervous. There is a flash of the vault with the papers flying. There is a shot of the $500,000 check. And then the courier announces: "Eduardo, you are safe! I am sorry Peter, but your journey ends here."
Everyone looks shocked. The camera fades to black as the Coldplay begins to play.