The American College of Radiation Oncology has its Annual Meeting next week in Orlando, and Jacob and I will be there. The meeting is at Disney's Contemporary Resort. I am going for the meeting, Jacob so he can go to Disney. The man is a big child who loves Disney. And my parents now live in that area as well as one of my sisters. And of course, our favorite nephew. So, it should be a good time. We fly off on Wednesday and return to SF on Sunday. So, I just realized that I am only working 1 day next week, Tuesday.
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Here at the Muse, we decided to do something a little different today. I wanted to post a poem by Frank O'Hara, but I couldn't decide on just one. Seriously, I couldn't. I kept changing my mind half-way through typing out the poem. But I wanted them all. Anyway, today we have four poems, all from O'Hara. I love O'Hara's work. I always have. I cannot even explain why, but I just do. They is play. There is camp, which I understood even before I knew what camp was, even before I fully realized I was gay. It may sound odd to say this, but in his work there is a kind of soul, a kind soul, a man who was insecure but lived in a public world. I know little about O'Hara's life, but I feel like I know men like him. I just know he was witty, quick, bitchy at times, biting if need be, all the old defense mechanisms of the insecure gay boy. But there is that heart, too. The one that desperately wants, hungers even, for someone to love. Okay, I am rambling here, but these things are in the poems. I hear them, relish them. It is almost as if O'Hara was the first test of my "literary gaydar." Of course I knew he was gay, but I am not talking about that.
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Number 1 (1948) by Jackson Pollock
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DIGRESSION ON NUMBER 1, 1948
I am ill today but I am not
too ill. I am not ill at all.
It is a perfect day, warm
for winter, cold for fall.
A fine day for seeing. I see
ceramics, during lunch hour, by
Mir6, and I see the sea by Leger;
light, complicated Metzingers
and a rude awakening by Brauner,
a little table by Picasso, pink.
I am tired today but I am not
too tired. I am not tired at all.
There is the Pollock, white, harm
will not fall, his perfect hand
and the many short voyages. They'll
never fence the silver range.
Stars are out and there is sea
enough beneath the glistening earth
to bear me toward the future
which is not so dark. I see.
MUSIC
If I rest for a moment near The Equestrian
pausing for a liver sausage sandwich in the Mayflower Shoppe,
that angel seems to be leading the horse into Bergdorf's
and I am naked as a table cloth, my nerves humming.
Close to the fear of war and the stars which have disappeared.
I have in my hands only 35c, it's so meaningless to eat!
and gusts of water spray over the basins of leaves
like the hammers of a glass pianoforte. If I seem to you
to have lavender lips under the leaves of the world,
I must tighten my belt.
It's like a locomotive on the march, the season
of distress and clarity
and my door is open to the evenings of midwinter's
lightly falling snow over the newspapers.
Clasp me in your handkerchief like a tear, trumpet
of early afternoon! in the foggy autumn.
As they're putting up the Christmas trees on Park Avenue
I shall see my daydreams walking by with dogs in blankets,
put to some use before all those coloured lights come on!
But no more fountains and no more rain,
and the stores stay open terribly late.
WHY I AM NOT A PAINTER
I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.
POEM
Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up
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