Garrison Keillor issued an apology. A very LAME apology. Whatever. I am so over GK. At least Dan Savage cares enough to take him on. Basically, what this comes down to is if one wants to write satire as opposed to broadcast it, one needs to have a clue how to write. Tone of spoken voice is not on the page. GK got himself into this because his "satire" didn't come across to anyone but the few who supposedly listen to him faithfully. Why did this satire fail? Because people say crap like this all the time about gay people. How are we supposed to know that Keillor has "lots of gay friends" and is joking? Real everyday people say stuff like this and mean it. And something in me still questions if Keillor didn't mean some of it despite all his gay friends.
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BUCOLICS
1.
what color is your collar Boss
is your backbone sore from bending over
when you clap your hand against your thigh
does a little cloud of dust fly off
do you wipe your face with your shirttail Boss
I'd bet one day's wages that you do
though I couldn't say for sure how much
my wages are they're probably
enough O I get by alright
a beech seed here a feather there
a locust wing a wing as light
as air besides it lets light through
I get a double portion from you
I tie my purse strings tight but put
this in your pocket all I have
I'd lay it on the table Boss
for you I'd bet you jerk your lines
you hang your salty harness from
a red nail in your barn you pour
your horse a scoop of oats you give
its tail a tug you say nighty night
you spotted nag it's funny Boss
I can hear you chuckle when
you close the door you're happy for
a good day's work a spotted horse
I wonder if those spots are real
or painted on it makes me smile
to think about it Boss even
field hands need a laugh or two
a little riddle a twisty tongue
I wouldn't put it past you O
you sneaky devil you cut up Boss
2.
the light inside the shadow how
it hovers there it's like an owl song
a quiver hoot it shakes a little Boss
I think your face is in that flicker
is your neck a candle wick your face
a flame on top you're almost always
going out so dim sometimes bright Boss
not for the life of me can I put
my finger on it the way it comes
it also goes which is quickly Boss
if you would just sit still I'd carve
your face into a stick then I
could look at you Boss a hundred times
a day you could listen for the owl
if he let out a hoot I'd turn
your wooden ear into the wind
3.
there was a fox Boss in my dream
last night a fox the color of
the field before it wakes to green
I didn't know there was a fox
about until it moved until
it moved like it was sliding Boss
it slid across a furrow then
I barely saw it sliding to
the woods sliding to the river Boss
I never know what's going to cross
my path O never what will make
me ask another question that's
a question in itself I'd like
to know why everything is stuck
in the middle Boss of something else
why the fox was stuck inside my dream
though it was making for the river
do you make nothing Boss but questions
did you set that fox inside my head
did you lay that field behind my eyes
4.
you move in every direction
at once you're worse than
the wind Boss worse than
a rock dropped in the water
here there everywhere that's you
you're like the sunshine always
reaching does it make you happy
Boss you must have fun the way
you dilly dally in the grass
from blade to blade I hear
you laughing I hear you clap
your hands I see what happens
next blackbirds hit the air
the treetops wave goodbye
what a life you have it easy Boss
you put me in stitches how you spin
the stars with just a finger
--Maurice Manning, from
Bucolics
(originally appeared in
Virginia Quarterly Review)
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Manning is definitely a poet who follows his own drummer. I applaud him for that. He is brilliantly unaware of current fashions.
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Clue: Sublime
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